The Mirror of Lida Sal
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"The Mirror of Lida
Sal," by Miguel Angel Asturias, is a noteworthy
piece of 20th century fiction by a giant of Guatemalan literature. Subtitled
"Tales Based on Mayan Myths and Guatemalan Legends," this volume has
been translated into English by Gilbert Alter-Gilbert. Miguel Angel Asturias (1899–1974) is one of the notable literary figures in
Latin America who in the 1920s contrived both to explore and to define Latin
literature within the mainstream of Western history. He managed to be poetic,
political and mythological at the same time, and with a degree of synthesis
rarely achieved then or since. In this book, Asturias draws upon Central American history and culture to
create several fascinating short pieces. His style (as I read it through Alter-Gilbert's
translation) is psychedelic and florid; Asturias mixes realistic and fantastic
elements throughout the book. The result is comparable to a prose version of the
paintings of Spanish artist Salvador Dali. As is the case with many Latin American
writers, Miguel Angel Asturias work is inextricably linked with politics, and he lived in exile for many
years. He was influenced by Indian mythology, fantasy and Surrealism and was the
first Latin American novelist to understand the implications of anthropology and
structural linguistics for culture and for fiction.
Miguel Angel Asturias turns to the cultural traditions of the ancient Maya and
combines them with the rhetoric of surrealism in order to produce highly
complex and widely misunderstood masterpiece. I don't find all of the stories in "The Mirror of Lida Sal" to be
equally effective. At times, Asturias' indulgence in ornate wordplay seems to
overwhelm plot and characterization. But this is still a richly rewarding volume
for the attentive reader. Some of the major themes of the book include magic,
transformation, and cultural hybridization. The best pieces in the book include the title
story, which tells of a working
class mulatta's attempt to ensnare the man of her desire; "Anteater
Juan," a bizarre fantasy; and "Legend of the Silent Bell," a
story of religious fanaticism and trans-Atlantic intrigue in colonial Central
America. Miguel Angel Asturias is one of the most important figures in Latin
American literature, and "The Mirror of Lida Sal" is definitely worth
gazing into.
About Author:
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Other Books of Miguel Ángel Asturias: Sociologia guatemalteca, 1923 - Guatemalan Sociology Rayito de estrella, 1925 La Arquitectura de la Vida Nueva, 1928 - The Building of a New Life Leyendas de Guatemala, 1930 - Leyendas Emulo lipolidón, 1935 Sonetos, 1936 Alclasán, 1939 Anoche, 10 de marzo de 1543, 1943 El Señor Presidente, 1946 - The President - suom. Herra Presidentti Sien de alondra, 1948 Poesía, 1949 Hombres de Maíz, 1949 - Men of Maize Viento Fuerte, 1950 - The Cyclone/Strong Winds Ejercicios poéticos en forma de soneto sombre temas de Horacio, 1951 Carta aérea a mis amigos de América, 1952 EL Papa Verde, 1954 - The Green Pope Bolívar, 1955 Obras escogidas, 1955 (3 vols.) Soluna, 1955 Week-end en Guatemala, 1956 - Weekend in Guatemala La audiencia de los confines, 1957 Nombe custodio, e Imagen pasajera, 1959 Los Ojos de los Enterrados, 1960 - The Eyes of the Interred El alhajadito, 1961 - The Bejeweled Boy Mulata de tal, 1963 - Mulatta Juan Girador, 1964 Teatro, 1964 Rumania, sua nueva imagen, 1964 Obras escogidas, 1964 (2 vols.) Sonetos de Italia, 1965 Clarivigilia primaveral, 1965 El espejo de Lida Sal, 1967 Torotumbo, La audiencia de los confines; Mensajes indios, 1968 Latinoamérica y otros ensyaos, 1968 Antología, 1968 Obras completas, 1968 (3 vols.) Maladrón, 1969 Comiendo en Hungaría, 1969 (with Pablo Neruda) - Sentimental Journey around the Hungarian Cuisine Novelas y cuentos de juventud, 1971 En novelista en la universidad, 1971 The Talking Machine, 1971 (Engl. translation) Viernes de dolores, 1972 Juárez, 1972 América, fábula de fábulas y otros ensayos, 1972 Mi mejor obra, 1974 Tres obras, 1977 Tres de cuatro soles, 1977 Edición crítica de las obras completas, 1977- (24 vols.) Actos de fe en Guatemala, 1980 Sinceridades, 1980 Viajes, ensayos y fantasías, 1981 El hombre que lo tenía todo, todo, todo, 1981 Paris 1922-1923, 1988 Cartas de amor, 1989
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